I got back from Australia last week where I've been visiting my family. If there's one thing that Lizzie is really good at (and there are many, many things she's ridiculously good at) it's organizing surprises. There were two big ones waiting when I got home. The first one was the bridge. For anyone who knows us, this bridge has been in the "it's just about to be started" phase of construction for the last 4 years. But finally, under Lizzie "the Mastermind" B-G's sweet supervision, Andy "The Welder-beast" Dixon and Teddy "Angle-grinder" Hutton pooled their resources and talents and came up with an airy, elegant curve of space-leaping, heart-swelling, simple steel that connects our old balcony at Le Couvent to the top garden. It is a beauty. Graceful, light as air and solid as a rock, the bridge soars way, way beyond my expectations. My biggest thanks to the mighty trio and to everyone who has pondered, planned and contributed to this project over the years.
Andy immediately found a name for it. Because it flies over the chicken run he called it le pont des poules. Which immediately turned into Pontypool. Ah well, I suppose you can't have everything. The name's going to stick, isn't it? I can feel it in my bones.

The second surprise involved a trip up to the vineyard. When we got to the chain at the bottom of the path I said (well, shrieked is probably more like it) to Lizzie, "What is that white thing? It looks like a caravan. You've bought a, you've bought a caravan, haven't you? Oh my God, you've bought a caravan." It's not that I've got anything against caravans. Actually, that's a lie. I've never liked the idea of caravans at all, they seem hot and airless and rather mean. Of course, I'd never actually been in one, so, obviously, I was speaking with an objective, if horribly bigoted, authority here. Anyway, yes, so there it was, a big box sitting, oh so whitely, against the rippling, not at all white, prettiness of the olive and pine trees. Lizzie turned the key and we climbed into a 70's beef stew and carrot interior. Brown, cream and orange tartan, synthetic-tweed furnishings with contrasting blue lampshades, curtains and cushions. And nets at the double-glazed windows. Oh joy.

It was instant head-over-heels love.
For those of you fellow-travellers who burn to know these things, she is a Messager Mascotte 385, in her prime at only 25 years old. We called her Olive and re-painted her the very next day in a new livery of olive green with a bauxite red stripe. She nearly fades into the background now and we spent two happy nights in her, cooking on the gas-hob that transforms into a work-top and sleeping on the bed that transforms into a dining table in a Michelin-starred restaurant.

Lizzie assures me that somewhere or other here, there is a switch that transforms the entire caravan into a Porsche. I believe her. If only we could find that P-spot switch we might regain some street cred, or something. In the meantime we're hoping that our rather cool candelabra does the talking for us while, oddly, we fight off painters-astrophysicists-writers-geologists-teachers-administrators-broadcasters-bankers-farmers-lovers-lawyers and teenagers, all of whom have volunteered to caravan-sit Olive through her first probationary weeks, even months, alone in the vineyard. Are we missing a trick here, I wonder?
Meanwhile back at Le Couvent we're well into the week's retreat for the Black and Asian Writer's Group. Sponsored by Bloomberg and mentored by The Tricycle Theatre in London, this course is a treat for us too. The house thrums with the energy of big brain-power as first, second and seventeenth drafts get written off and ideas get tossed around. The chat is fabulous and it's a privilege to co-host such a fantastic and lovely group.
In other words, life's as awful as ever here. What can I say?
PS. Had you spotted that "I love" is actually an anagram of "Olive?" Not a very challenging anagram I admit, but kind of cool, don't you think?